Photography was initially considered a purely documentary medium that was able to “objectively” depict reality. New insights followed: the subjective character of photography as recognised and aesthetic questions considered. It became increasingly clear to what degree the view of the world and its inhabitants were influenced through media.
The collection includes important examples of early travel and research photography, including works by Albert Frisch, Joachim von Brenner-Felsach, Otto Finsch, Oscar Baumann, Eduard Hodek, Rudolf Pöch, Helene and Rudolf Oldenburg, Christoph Fürer-Haimendorf, and Mario Baldi. In addition, the extensive holdings document the development of commercial photography outside of Europe through photos from established studios in the late 19th century.


