Shannon Alonzo

Washerwoman

16 May to 5 October 2025

‘The piece has a life of its own. It ages over time.’

This is how Trinidad-born interdisciplinary artist Shannon Alonzo (b.1988) describes her mixed-media sculpture Washerwoman. The artist explores themes such as collective belonging and a sense of place. The organic materials of this striking, slightly grotesque artwork – resin, beeswax, and brown cotton – are intended to age before the viewers’ eyes in the Theseus Temple.

Washerwoman highlights the invisible labour of women, specifically the historically and contemporarily gendered activity of washing textiles. Above all, it pays homage to the work of Caribbean women and their contribution to our cultural heritage.

About the Exhibition

Artist's Statement

Shannon Alonzo made Washerwoman in her grandmother’s house in Trinidad. The work is thus imbued with the intimacy of a matriarchal dialogue. Reflecting on the process, Alonzo shares:

‘Somehow the Washerwoman became an old friend through the creation process. I sat with her, setting clothes pegs and modelling the wax. I meditated on her story, which is not written down in any book, and hoped that it might reveal itself through the rhythm of my hands working with hers. I think of garments as a kind of time capsule: They literally soak up our blood, sweat and tears. They absorb our essence. Although the woman washes constantly, she cannot remove the remnants of the past, whether they are seen or unseen.

Washerwoman is the result of an attempt to get to know our ancestors through the work of our hands, which move silently and over time alongside them. Through them we catch a glimpse of the everyday moments of our ancestors' existence, so closely interwoven that they create our own reality.’

Theseustempel
Volksgarten, 1010 Vienna

Daily 11 a.m. to 6 p.m.
Free entry

Accompanying Programme

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